The Great Band Battle of 1967

The new year held promise.  Winter was cold, but the No Left Turns were undergoing a small-scale climate change, growing hotter every week.  We were playing for school dances all over the county, looking pretty cool in our matching Beatle boots and tan jackets that resembled salvaged burlap sacks.  Our personnel had changed too.  Bruce was recruited to play drums.  Tony replaced Carl, playing lead guitar on a Fender Telecaster through a Twin Reverb amp.  Mike was still strumming his Fender Squire and I was plucking my Kalamazoo bass, both through Sears Silvertone amps.  Despite a dearth of high-end equipment, we sounded “pretty good,” as reported by the few brave kids who would approach us after a dance.

No Left Turns: Tony (gtr/voc), Bruce (dr), Mike (gtr/voc), Joe (bs/voc)

The real test was only weeks away.  Around Easter break, the Beloit Jaycees were sponsoring a “Battle of the Bands” competition in the Memorial High School gym.  I’m not entirely certain who among us saw the newspaper promotion first, but I’d bet my bass it was Bruce.  We signed up.  Bruce took care of the details.

670317 BDN
March 17, 1967 Beloit Daily News promotional ad

The high school gym was arranged with platforms at either end so one band could perform while another could be setting up their gear.  Eight bands competed, each granted fifteen minutes to get the teenage audience dancing while simultaneously influencing the adult judges .   The No Left Turns drew a long straw so we were the last band to compete.  Once we unloaded the trailer, much of our time was spent in the boys restroom, wisely constructing a set list.  We even worked out a few synchronized moves, or “steps” as we referred to them.  Man, we were determined to flaunt our full range of talent.

We set up our gear on the west platform as the now long forgotten penultimate band made their joyful noise at the opposite end.  When it was finally our turn, I stepped to the mic and greeted the audience, “Hello. We’re the No Left Turns.”  Bruce counted off, “One, two, three, four…”  Guitars, bass, and drums joined in near perfect synchronicity as we hit the opening chords to Devil with a Blue Dress/Good Golly Miss Molly.  Within seconds everyone was dancing!   But we were just warming up.  To showcase our versatility, we played Snoopy vs. the Red Baron next, hoping something cute would curry favor with the judges.  Our softer side was revealed on Don’t Let the Sun Catch You Crying, a slow song introduced as a lady’s choice by Mike whose velvet voice made the girls swoon.  That left plenty of time for our coup de gras:  a high energy cover of Shout that had the audience jumping and flailing their arms in the air as intended.  The set concluded and we took our bows to wild applause and cheering.  This, despite having forgotten all about the “steps” we’d rehearsed previously in the restroom, damn it.

We leapt off the platform and milled around impatiently, waiting another fifteen minutes for the results to be announced while someone played records over the house speakers.   Eventually, the voice of a local DJ crackled above the hubbub.  He issued the first award for showmanship, bestowed upon the drummer of the Prodigal Sons from Janesville.  “OK, so he’s Mr. Congeniality,” I sniped out loud, “Let’s get on with it.”  Our confidence was seriously shaken when the Corporation of Sound was awarded second place.  “What the hell?  The Marauders were way better than those guys,” Tony blubbered.  “We’re screwed,” I added.  In our estimation, the Marauders had been our only real competition in this battle.  Dejected, we feared the worst.  But our shroud of gloom lifted and our jaws dropped when we heard the words, “First prize goes to…(long pause)… the No Left Turns!”  Mike jumped into my arms and we all congratulated ourselves, smacking each other’s backs like we’d just reached number one on the Billboard chart.  If we’d smoked cigars I’m certain we’d have been passing them out like proud expectant fathers.

670324 Increscent NLT Win
March 24, 1967 The Increscent (student newspaper)

The Beloit Daily News made no mention of our laurels.  Our sole accolade appeared in the Beloit Memorial High School student newspaper, The Increscent, pictured above.  Word on the street suggested the Marauders would have won, save for a mistake one of their guys made by performing in two different bands at the same competition.  Apparently, that was a rule violation, or perhaps a breach of etiquette.  Nonetheless, we savored our victory.  Bruce even wrote a note of appreciation to the Jaycees and mailed it to the Daily News.  It was printed in the “Letters to the Editor” column on March 22, 1967.  I never suspected him of rubbing it in.  Would you?

March 22, 1967 Beloit Daily News

10 thoughts on “The Great Band Battle of 1967

  1. I clearly remember that night. Too young to participate in the frolicking at Beloit Memorial, I was relegated to listen to the contest over the radio from home. Being biased, my vote definitely went to the No Left Turns. I, too, was ecstatic when the winner announcement was made! Having only 8.5 by 11 inch paper, I made a small poster saying “The NO LEFT TURNS are Number ONE!” and hung it in the kitchen to congratulate the band who arrived way after my bedtime.


    1. Thanks, Anna! About five or six years ago I tracked down one of the WGEZ jocks, Dave Brehm, and asked him about that night and if he had taped the broadcast. He told me most of the taped shows from that time were lost in a flood and couldn’t be recovered. The rest were discarded prior to a building remodeling project. Bummer.


  2. Those Were The Days My Friend! Great job telling the story of this important accomplishment. I will never forget as well those days with my Kenosha band-mates and basement rehearsals. (…or tearing up the basement stairway walls trying to get that Hammond B3 sound added to our mix.) The joy of playing and singing the fabulous ’60s music has never left!


    1. Thanks, Rodd! It was a great time for sure! I’ve published a few more stories about my band. They’re interspersed among other random musical thoughts in the blog.


  3. Hey, congrats on the B of Bs victory! So with 35 watts of tube power thru a Knight 3235C PA amp…how was it??!! I’m also a fan of tube gear and that 3235C, too. Maybe it wasn’t a Shure system, as pointed out in a post on FB, but did it have what it took during a performance in smaller rooms?? Failure rate…reliability issues? Frequent breaks between sets…turned off or left on between sets? Thanks for the insights. Rock on!


    1. Probably turned it off during breaks. Had some minor volume issues at times, depending on the venue, crowd denisity, etc. Overall it was a workhorse. Don’t recall much beyond that. Thanks for the comment.


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